![Chronochrome [4, interval] by Cheyney Thompson](/_next/image?url=https%3A%2F%2Flisson-art.s3.amazonaws.com%2Fuploads%2Fattachment%2Fimage%2Fbody%2F37602%2FTHOM230013_001.jpg&w=3840&q=75)
Cheyney Thompson
Chronochrome [4, interval], 2023
Acrylic on canvas
Installed: 132.1 x 132.1 x 2.2 cm
Installed: 52 x 52 x 7/8 in
Framed: Square: 93.3 x 93.3 x 2.2 cm
Framed: Square: 36 3/4 x 36 3/4 x 7/8 in
Methods for investigation have included such varied structures as mathematical theories, complex algorithms, economic formulas or numerical colour systems.
At the core of Cheyney Thompson’s practice is an analytical approach and unwavering commitment to the examination of painting—its production, distribution and presentation in contemporary conditions. He often applies strict sets of principles to the creation of his work, using rules-based systems as generative tools to minimise the subjectivity of creative decisions. The methods for investigation have included such varied structures as mathematical theories, complex algorithms, economic formulas or numerical colour systems. The result is a dialogue between the formal qualities of the work and the consciousness of its production.
Cheyney Thompson was born in 1975 in Baton Rouge, Louisiana and currently lives and works in New York. He received a BFA from the School of the Museum of Fine Arts, Boston, in 1997. His work was recently included in ‘Low Form. Imaginaries and Visions in the Age of Artificial Intelligence’ at MAXXI, Rome, Italy (2019) and in ‘Programmed: Rules, Codes, and Choreographies in Art, 1965–2018’ at the Whitney Museum of American Art, New York, NY, USA (2019). Thompson’s work was the subject of an exhibition with Sam Lewitt at The Brno House of Arts, Brno, Czechia (2017). Other solo exhibitions include ‘Cheyney Thompson The Completed Reference: Pedestals and Drunken Walks’, at Kunstverein Braunschweig, Germany (2012); and ‘Cheyney Thompson: metric, pedestal, landlord, cabengo, recit’, at MIT List Visual Arts Center, Cambridge, MA, USA (2012). Select group exhibitions include ‘Invisible Adversaries: Marieluise Hessel Collection’, Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY, USA (2016); ‘Money, Good and Evil. A Visual History of Economics’, Staatliche Kunsthalle, Baden- Baden, Baden-Baden, Germany (2016); ‘A Slow Succession with Many Interruptions’, San Francisco Museum of Modern Art, San Francisco, CA, USA (2016); ’Materials and Money and Crisis’, Museum Moderner Kunst, Vienna, Austria (2013); and the 2008 Whitney Biennial, Whitney Museum of American Art, New York, NY, USA (2008), among others. Thompson’s work is held in the permanent collections of the Centre Pompidou, Paris, France; Museum of Modern Art, New York, NY, USA; San Francisco Museum of Modern Art, San Francisco, CA, USA; Walker Art Center, Minneapolis, MN, USA; and the Whitney Museum of American Art, New York, NY, USA.
“Painting is here equated with a kind of wage labor, where time itself, the time of life, has become a discrete set of units, which are countable, and plotted within the support.”
![Chronochrome [4, interval] by Cheyney Thompson](/_next/image?url=https%3A%2F%2Flisson-art.s3.amazonaws.com%2Fuploads%2Fattachment%2Fimage%2Fbody%2F37602%2FTHOM230013_001.jpg&w=3840&q=75)
Cheyney Thompson
Acrylic on canvas
Installed: 132.1 x 132.1 x 2.2 cm
Installed: 52 x 52 x 7/8 in
Framed: Square: 93.3 x 93.3 x 2.2 cm
Framed: Square: 36 3/4 x 36 3/4 x 7/8 in

Cheyney Thompson
Acrylic on canvas
Installed: 122.2 x 122.2 x 2.2 cm
Installed: 48 1/8 x 48 1/8 x 7/8 in
Framed: Square: 87 x 87 x 2.2 cm
Framed: Square: 34 1/4 x 34 1/4 x 7/8 in
![Bellona through subtracted light [2] by Cheyney Thompson](/_next/image?url=https%3A%2F%2Flisson-art.s3.amazonaws.com%2Fuploads%2Fattachment%2Fimage%2Fbody%2F24982%2FTHOM220017_001.jpg&w=3840&q=75)
Cheyney Thompson
Oil and acrylic on linen
272.7 x 206.7 cm
107 3/8 x 81 3/8 in
![3013/1139 [433 curves][1895-98] by Cheyney Thompson](/_next/image?url=https%3A%2F%2Flisson-art.s3.amazonaws.com%2Fuploads%2Fattachment%2Fimage%2Fbody%2F24987%2FTHOM220021_001.jpg&w=3840&q=75)
Cheyney Thompson
Graphite on paper mounted to book cloth
73.3 x 50.8 x 0.3 cm
28 7/8 x 20 x 1/8 in
![Displacement [1] by Cheyney Thompson](/_next/image?url=https%3A%2F%2Flisson-art.s3.amazonaws.com%2Fuploads%2Fattachment%2Fimage%2Fbody%2F24980%2FTHOM190002_004.jpg&w=3840&q=75)
Cheyney Thompson
Oil and acrylic on linen
156.5 x 118.4 cm
61 5/8 x 46 5/8 in

Shanghai, 2024
gallery
2024

Beijing, 2024
gallery
2024

, 2023
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2023

New York, 2023
gallery
2023